The concept of time in the lyrics of K. Kuliev

The article analyzes the lyrics of the classic of Balkar literature KaisynShuvaevichKuliev. The presence of the concept of time in the poet’s works is a peculiarity of the author’s individual style. This concept shapes the surrounding reality, focuses on poetic aestheticism, deeply personal experience. The study examines a whole list of issues associated with the theory of sped up development, the specificity of poetic thinking, personification of time, the search for promising ways of development of aesthetic consciousness of the people at the stage of transition from traditional reflective models based on folklore ideas, archetypes of ethnic thinking and ideological opposition to the structures of new formation. It is argued that the emergence of a special images and their transition into transversal symbols, it was Kuliev’s models of reflexion that allowed to expand the narrow semantics of ideological temporal binary and overcome the logical attribution of the concept “time”, creating for it a vast associative halo that addresses the reader’s consciousness to the realities of everyday life. Searching for stable style-forming constructions in overcoming the borders of established apperceptive models allowed K. Kuliev to create special poetic structure, describing time in the coordinates of his personal gnoseology, his individual manner of perceiving the environment, allowing the national reader to imagine temporal definitions beyond the rational and conceptual emblems, interpreting them with the help of familiar and mastered at all perception levels up to the sensory. Artistic concept of time in the works of K.Kuliev is formed gradually, together with the poet, with the era. Following its artistic realization and transformation, the author of the article brings us closer to the unraveling of how the great Balkar poet perceives, realizes, and comprehends time to the unraveling of his inner world. On the material of poems of Balkar writers (K. Kuliev, K. Otarov, H. Temmoev) the author shows several ways of verbalization of the concept “time” in Balkarian literature.

1. BAKHTIN M. M. Teoriya romana (1930–1961 gg.) [Theory of the novel (1930-1961)]. – Yazyki slavyanskikh kul'tur, 2012. – S. 455-456. (880 s.). (In Russ.).

2. GRINBERG I.L. Dva kryla literatury [Two wings of literature]. – M.: Sovetskii pisatel', 1982. – 368 s. (In Russ.).

3. GUSEINOV CH.G. Etot zhivoi fenomen [This living phenomenon]. – M.: Sovetskii pisatel', 1988. – 438 s. (In Russ.).

4. KULIEV K. SH. Tyunene bla byugyun. Nazmula kitaby [Yesterday and today]. – Nal'chik: El'brus, 1977. – 240 s. (In Balkar).

5. LIKHACHEV D.S. Poetika drevnerusskoi literatury [Poetics of Old Russian Literature]. – L.: Nauka, 1967. – 416 s. (In Russ.).

6. OTAROV K. Noch'yu na beregu moray [At night on the seashore] / Antologiya balkarskoi poezii – Nal'chik: El'-Fa, 1996. – S. 104. (In Balkar).

7. OTAROV K. Oblachko [Cloud] / Antologiya balkarskoi poezii – Nal'chik: El'-Fa. 1996. – S. 102. (In Balkar).

8. RASSADIN S. B. Kaisyn Kuliev [Kaisyn Kuliev]. – M.: Khudozhestvennaya literatura, 1974. – 160 s. (In Russ.).

9. TEMMOEV KH. Novoe selo [New village] / Antologiya balkarskoi poezii – Nal'chik: El'-Fa. 1996. – S. 93. (In Balkar).

10. TOLGUROV Z.KH. V kontekste dukhovnoi obshchnosti [In the context of a spiritual community]. – Nalchik: El'brus, 1991. – 286 s. (In Russ.).

11. TOLGUROV T.Z. Evolyutsiya tkanevykh obraznykh struktur v novopis'mennykh poeticheskikh sistemakh Severnogo Kavkaza [Evolution of tissue figurative structures in newly written poetic systems of the North Caucasus] – Nal'chik: El'-Fa, 2004. – 286 s. (In Russ.).

12. KHRAPCHENKO M.B. Khudozhestvennoe tvorchestvo, deistvitel'nost', chelovek [Artistic creation, reality, man] – M.: Sovetskii pisatel', 1982. – 416 s. (In Russ.).