THEORETICAL UNDERSTANDING OF THE PROBLEM OF ARTISTIC CYCLIZATION (KARACHAY-BALKARIAN POETRY AND PROSE)
https://doi.org/10.31143/2542-212X-2020-3-187-204
EDN: JUKVGN
Abstract
The article investigates the phenomenon of cyclization, which receives theoretical understanding as an independent scientific problem on the example of the works of those Karachay-Balkar authors, in whose work cyclicity is manifested as a defining principle of the poetics of the text. The work is characterized by a fundamentally new angle of consideration and analysis of literary works. Based on the material of national poetry/prose, the process of mastering various types of cyclic structures is analyzed, the rationale for this phenomenon is given, the methodology of the issue is analyzed, the principles of distinguishing the poetic and narrative cycles are based on accepted interpretations of scientists in explaining their specifics. The author notes the historical background for the emergence of such forms in the literature, explains the mechanisms of cyclization, and identifies universal features of polytextual structures. As characteristic features of the poetic cycle are designated: the author's intention, the task of the composition, a single thematic focus, the relative autonomy of parts within the whole. The stable features of the epic narrative are the contextual and conceptual relationship, the presence of end-to-end characters, centralizing epic issues, and refractive storylines. In these examples, the accumulation of meanings, stylistic "doublets", meaningful perspective (the possibility of expansion and addition), multidimensional structure, ways to create artistic integrity.
About the Author
A. D. BOLATOVA (ATABIEVA)Russian Federation
References
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Review
For citations:
BOLATOVA (ATABIEVA) A.D. THEORETICAL UNDERSTANDING OF THE PROBLEM OF ARTISTIC CYCLIZATION (KARACHAY-BALKARIAN POETRY AND PROSE). Kavkazologiya. 2020;(3):187-204. (In Russ.) https://doi.org/10.31143/2542-212X-2020-3-187-204. EDN: JUKVGN